top of page

WW2 Headquarters:
Bringing Clarity to Complex History

Illustrated map animation, motion graphics support

Illustrated Maps for Wartime Storytelling

WW2 Headquarters is a documentary series exploring key moments, decisions and operations from the Second World War. While the film primarily uses live-action storytelling, archive footage and expert insight, the production team needed clear, accessible animated sequences to help viewers understand the geography and movement behind several complex wartime operations.

The Little Wild Ones was commissioned to create illustrated and animated map sequences that brought structure and clarity to the storytelling. Working closely with the director, we developed a simple, historically respectful visual style that complemented the tone of the film without distracting from the narrative.

Our Role on the Project

My contribution formed one part of the wider production, focused on turning complex military operations into accessible, visually clear maps. Working closely with the director and production team, I created:

  • Illustrated base maps referencing real historical layouts

  • Clean troop-movement animation designed for clarity

  • Subtle motion graphics overlays used for emphasis

  • Simplified, cohesive visual language to match the tone of the documentary

The aim was not to be flashy but to capture the style of the era to support the storytelling, helping viewers follow the narrative without distraction.

WW2HQ YouTube Thumbnail - WTGBoB - Ep4 - V2.jpg
Gold_Beach_Port_en_Bessin_v01.png
advance_v01_Epsom_4.12.png
MAP_BoB_Film1_Kanalkampf_v03.png
WW2HQ YouTube Thumbnail - WTGBoB - Ep6 - V3.jpg

Motion Graphics for Documentary Storytelling

Our contribution included:

  • Illustrated operational maps showing troop movements, key locations and strategic shifts

  • Clean, unobtrusive animation designed to support, not overpower, the live-action footage

  • Geographically accurate layouts based on historical reference materials

  • Motion graphics enhancements for scene transitions and contextual overlays

  • Adaptation of designs for social content and additional cut-downs

These sequences help viewers follow the tactical flow of events, something that would be difficult to communicate through archival footage alone, bringing coherence to major operations as well as smaller frontline engagements.

This was a rewarding collaboration with What’s Not To Like Productions, and a chance to contribute to a beautifully crafted documentary exploring a subject rich in detail, nuance and human stories.

Credits

Client

Agency

Directed

Animation and Motion Design

WW2 Headquarters

Alt Animation

The Little Wild Ones

Kevin Francis

Have a project in mind? We’d love to hear about it.

bottom of page